New York City is a boîte boneyard, a nite-spot necropolis, a potter’s field of cabarets, oyster palaces and hotel lounges. Some names of past hotspots live on in popular lore — your Stork Club, your El Morocco. But there were so many others, maybe smaller in size and fame, that were at one time just as legendary with a certain clientele. Today they are nearly unknown. The heyday of these storied joints can never be recreated. Well, if we can’t step inside, let’s loiter outside and toast, in salute to good times past. We may be a little late, but we have time for a quick one.
In this installment of a Quick One we go a-visiting with the inspiration for a popular cartoon personality and ponder the link between Broadway and Queens.
“cornfields of Queens” thanks to the recent elevated line: Jackson Heights, Woodside, Corona all attracted their share of show folk who mixed in with other straighter refugees of the crowded clamor of Manhattan. It was a step up from the apartment hotels of the city.
One celestial couple of the Great White Way who made their home in Jackson Heights was hoofer Dan Healy and Helen Kane, the bubbly singer who was the model, both vocally and physically, for Betty Boop. We thought we’d like to lift a glass to them.
Helen (née Schroeder) came up in singing contests and chorus lines and went on to a full career as a Broadway star. Singing "That's My Weakness Now" in a show at the Paramount Theatre, the song's "boop-boop-a-doop" catchphrase quickly catapulted her to household name fame. She wasn’t the only one to interpolate baby talk in popular song, it was a gimmick many pop and blues singers used. An early example was in 1921's all-black Broadway smash Shuffle Along when Gertrude Saunders stopped that show cold with her number “Daddy Won’t You Please Come Home,” which ends with an entire scat chorus in baby talk. Helen wasn't the first, but she became one of the most successful, recording for Victor and headlining the Palace Theatre in 1928. Her fun-loving flapper persona became so popular that there were Helen Kane impersonation contests for aspiring Broadway babies looking to bust into show business. One winner of a contest held in Atlantic City was Mae Questel, soon to become the voice of Betty Boop.
Helen was a Bronx gal, fully evident in her movie roles like Pointed Heels (with William Powell and Fay Wray), Sweetie (with Nancy Carroll and Jack Oakie) and as the title character in Dangerous Nan McGrew. “Broadway’s Boy” Dan Healy was an established performer, showman and wheeler-dealer. You can see him in action as the oily Miller in the alternately fascinating and dull as a doorknob Glorifying the American Girl, (shot in Astoria, with heart-stopping location work at Grand Central Station and along 42nd Street). He was a master of ceremonies in night spots including the Cotton Club. Helen and Dan were portrayed in the 1950 movie Three Little Words. Debbie Reynolds played Helen, but it was Helen’s voice singing on the soundtrack.
Helen and Dan had skyscraper highs and serious lows; both finished their days together here at The Berkeley, a characteristically splendid Jackson Heights apartment building.
The Berkeley (fka Berkeley Hall), a neo-Georgian building with nine foot ceilings in its 84 units at 77-12 35th Avenue, was erected in 1937. It had a roof garden, children’s playground and gymnasium. It is now a co-op.
Our cocktail hour with Mr. and Mrs. Healy features the Charleston, from The Savoy Cocktail Book. It’s an aromatic and potent sipper made with equal parts gin, maraschino, kirsch, Curaçao, Italian and French vermouths, and garnished with a lemon peel. A half ounce of each will build you a 3 ounce drink, and upon giving it serious thought, we have two suggestions: first, choose a bracing gin, and to top it all off, add a cocktail cherry after you’ve expressed your lemon peel.
To The Heights!
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