We hustled through the cacophony and congestion of the subway and sidewalks of Main Street, and a short bus ride later were breathing easily in the peaceful leafy luxury of Flushing Cemetery. We found our man resting side by side with his wife Lucille.
For a guy whose instrumental virtuosity and unique vocal style left music forever changed, Armstrong's headstone is fairly humble, as he was in life. Although he is clearly the person responsible for his own nickname "Satchmo," I've never liked it. Fine for Louis to self-deprecatingly refer to himself as "satchel mouth" (or variations like "dipper mouth" or "real estate jaws") but it's always seemed less than respectful, and sometimes a little creepy, when squares call him Satchmo. Well, it was part of the Armstrong brand, so there it is in gold script.
A toast to the preeminent innovator, Louis Armstrong.
Our next stop was the grave site of the legendary Johnny Hodges, for decades Duke Ellington's lead alto. No question that we have the right fellow, because below "John C. Hodges" is helpfully inscribed "Alto Sax" and in one corner "Rabbit," a nickname bestowed by bandmate Harry Carney who was tickled by Hodges' love for lettuce and tomato sandwiches. Hodges won the admiration of the best players in jazz for his lyrical solos and "a tone so beautiful it sometimes brought tears to the eyes," as Ellington eulogized at his funeral. But boy, could he blow some blues, too.
That should be plenty of talent for one graveyard, but this being Queens, there are more big stars in repose. Reportedly, Charlie Shavers, a trumpet player's trumpet player if ever there was one, resides somewhere in Section 31. Pianist and singer Hazel Scott takes five (and more) in Section 9. Woefully, the graves are unmarked.
Most surprising, the one trumpet player whose legacy rivals that of Armstrong himself also rests somewhere in Section 31. John Birks "Dizzy" Gillespie, founding father of bebop, outstanding proponent of Afro-Cuban jazz, virtuoso instrumentalist, composer of both serious standards and goofy novelties, and an all around mensch, lies modestly in an unnamed plot.
That Gillespie and Armstrong, two men who each created a revolution in jazz music, should find themselves sharing eternity a few hundred yards from one another is a wee bit mind blowing. But that's kooky Queens for you.
Imbibliophiles will want to know what cocktail we tipped in toasting these fine musicians. It was our own special concoction, devised for this field trip, which we are calling
The Groove Juice Number 1
2 ounces gin – for all the gin mills the cats played in1 ounce Suze – for a bittersweet occasionA dash of orange bitters (ditto)
Shake until cold as the number 7 subway in summer, strain into a cocktail glass and garnish with a cherry (don't you forget!)
words, photos, recipes ©2015 McBurnie/Hammer